A heroic coming-of-age story which follows the epic adventures of a young lion cub named Simba as he struggles to accept the responsibilities of adulthood and his destined role as king of the jungle. As a carefree cub, he is both excited and anxious to become king, one day, and spends his days frolicking with his pal, Nala. His father, King Mufasa, the revered ruler of Pride Rock and the lands that surround it, teaches him about the "Circle of Life"--the delicate balance of nature which bonds all animals together; Simba's father cautions him to prepare for the day when he will be called upon to lead. Mufasa's evil brother, Scar, hopes that day will never arrive and schemes to do away with the king and Simba so that he can assume the throne for his own tyrannical purposes. Scar and his hyena henchmen--Shenzi, Banzai, and Ed--lure Simba into the path of a wildebeest stampede in which Mufasa is killed trying to save his son. Scar convinces Simba that he is responsible for his father's death and urges him to leave the Pride Lands and never return. A frightened and guilt-ridden Simba flees into exile where he is befriended by a wacky but warmhearted warthog named Pumbaa and his free-wheeling meerkat companion, Timon. Under the dubious guidance of this nature's odd couple, Simba adopts their "Hakuna Matata" (no worries) attitude towards life--taking things one day at a time. The cub matures into a young adult and is able to forget his past until a beautiful young lioness--who turns out to be his childhood friend Nala--arrives on the scene. She tells him of the hard times and suffering that have come to the Pride Lands under Scar's reign, and beseeches him to take his place as king. With the help of Rafiki, a wise shaman baboon, Simba realizes that his father's spirit lives on in him and that he must accept the responsibility of his destined role.
James Earl Jones | Jonathan Taylor Thomas | Matthew Broderick | Whoopi Goldberg | Rowan Atkinson
Just as surely as the hippos and gazelles that populate the African savannah in Disney's 1994 hand-drawn classic The Lion King must take their place in the grand, cosmic scheme of things, the best Disney animated movies have their own roles in the "circle of life" that the movie's opening song of the same name, written by Elton John and Tim Rice, refers to. The films open in theatres and delight kids and adults alike before heading to the home-entertainment sphere, where they find everlasting life by being passed down to future generations.
However, every once in a while, a beloved Disney title gets reincarnated on the big screen in a newer, spiffier form. Such is the case with The Lion King itself, which arrives in theatres for the first time in 3D in a limited run beginning September 16 before its release on shelves as a special Diamond Edition Blu-ray on October 4.
An audience of Mouse House devotees were treated to the first public screening of The Lion King in 3D at the Anaheim Convention Center's multi-tiered arena on Saturday, August 20, 2011, as part of Disney's fanboy-nirvana D23 Expo. Directors Rob Minkoff and Roger Allers took to the stage to introduce the screening, at one point even offering a spirited rendition of the miniature musical number in which the comedy team of wisenheimer meerkat Timon (voiced by Nathan Lane) and gaseous warthog Pumbaa (Ernie Sabella) distract a band of evil minions by launching into a rapid-fire Hawaiian-themed ditty. One of the co-directors even kept the rhythm going by banging on the makeshift drum of an upside-down water jug.
Then, the movie began, and it's gratifying to report that Disney's 3D conversion of The Lion King is an excellent, fittingly majestic bit of post-production wizardry. Of course, part of what makes the 3D so enveloping is that Minkoff and Allers have already done such an expert job of creating visually layered 2D compositions that the addition of the third dimension is able to stagger those layers in a striking manner. For example, the last shot of malicious Uncle Scar's (Jeremy Irons, miraculously delivering the best vocal performance in a cast that also includes the booming baritone of James Earl Jones) "Be Prepared" musical number features an elephant's skeleton in the foreground and the sight of Scar and his hyena underlings bellowing the song's final notes atop a craggy mountain in the background. In 3D, the viewer can get happily lost in the amplified depth between the shot's foreground and background action.
Naturally, there are also more gimmicky, less subtle uses of 3D. Pumbaa's snout and two horns are repeatedly lunging right at the spectator, and the smoke and dust kicked up in the wake of the wildebeest stampede that (spoiler alert for those who have been living under a rock for the past 17 years!) claims King Mufasa's (Jones) life seemed to hover in the Anaheim arena's air. Since perhaps the most eye-catching use of 3D is when a flying character seems to soar in the space between the screen and the audience (think of that fuzzy-butterfly-type creature that stole the show in Disneyland's 3D attraction Captain EO), the winged movements of Mufasa's avian adviser Zazu (Rowan Atkinson) make for some of the movie's showiest 3D touches. But they also lead to my one quibble with the 3D here: because the "you can seemingly reach out and touch Zazu" effects are so attention-grabbing, scenes that aren't even dramatically centered on Zazu end up inevitably and distractingly being all about the snooty, beaked majordomo.
As fans would expect, though, the film's stirring hero's-quest narrative arc and emotional grace notes register just as strongly in this new format. When young hero Simba (voiced as a cub by Jonathan Taylor Thomas), devastated by father Mufasa's death, crawls under the giant paw of his dad's corpse, a few D23 attendees behind me could be heard blowing loudly into their tissues. That's another benefit of having this film in 3D: those dark glasses do a great job of hiding your tears.
Hollywood.com rated this film 4 1/2 stars.-Brett Buckalew