After hundreds of lonely years of doing what he was built for, WALL-E (short for Waste Allocation Load Lifter Earth-Class) discovers a new purpose in life (besides collecting knick-knacks) when he meets a sleek search robot named EVE. EVE comes to realize that WALL-E has inadvertently stumbled upon the key to the planet's future, and races back to space to report her findings to the humans (who have been eagerly awaiting word that it is safe to return home). Meanwhile, WALL-E chases EVE across the galaxy and sets into motion one of the most exciting and imaginative comedy adventures ever brought to the big screen. Joining WALL-E on his fantastic journey across a universe of never-before-imagined visions of the future, is a hilarious cast of characters including a pet cockroach, and a heroic team of malfunctioning misfit robots.
Fred Willard | Jeff Garlin | Sigourney Weaver | John Ratzenberger | Kathy Najimy
A clever and groundbreaking motion picture like nothing you've seen before, Wall-E is a hilarious, heartfelt and extraordinary comedy adventure that pushes animation to new heights while providing pure out-of-this-world summer fun.
In an almost completely wordless first 40 minutes, we meet the workaholic robot Wall E (Waste Allocation Load Lifter Earth-Class) as he goes about the daily tasks--organizing an abandoned junk yard with remnants of what life was like before mankind was forced to leave earth (or die) in the 22nd century. Apparently, no one remembered to turn his switch off so he continues to do his thing in the shadow of an eerily empty city. One day a spaceship lands and drops off a spiffy search robot named EVE (Extra-terrestrial Vegetation Evaluator). EVE strikes up a touching, even romantic relationship, with little Wall E, his first contact with anything or anyone (other than a pet cockroach) in about 700 years. When EVE discovers that Wall E may have come upon the living proof that Earth is once again inhabitable, she blasts off to tell the humans aboard the Axiom--a massive shopping mall-like space station--that it may finally be safe to return home. Not wanting to let her go, Wall E hops on during takeoff and blasts into the outer reaches of the universe where he experiences the surreal future and brings hope from the past.
Be prepared to fall in love with the most engaging and original new movie star in ages. The extraordinary performance here is a robot who utters sounds, not words, and comes brilliantly alive through state-of-the-art CGI animation and expert vocal design by legendary sound wizard Ben Burtt (R2D2 of Star Wars). He makes this non-human, love-struck piece of tin the most human element in the film. Wall E does not need words to express his understanding of affairs of the heart. In fact, the early sequences in which he repeatedly watches an old video tape of the 1969 musical, Hello, Dolly (the only one is his obviously limited collection), we totally understand where his notions of romance come from--and from an 800 year-old semi-flop Hollywood movie, no less. The trip into space brings encounters with some misfit robots as well as the rotund immobile humans, competently performed by vets like Jeff Garlin, as the ship's captain, Fred Willard, John Ratzenberger, Kathy Najimy and Sigourney Weaver as the ship's computer. But the real acting voice-over prizes belong to Burtt and his sound design colleagues this time.
Oscar take notice: Pixar has done it again. Co-writer/director Andrew Stanton won an Oscar for Finding Nemo and has worked in some capacity on just about every Pixar triumph from Toy Story; through last year's Oscar winning Ratatouille. His creative need to stretch and explore uncharted 'toon territory results in the offbeat Wall-E, which abandons the talking creature formats for a surreal, touching and environmentally-conscious love story. The film sets off alarms for the future of our planet but also offers hope that it's not too late. Stanton's most daring notion is to create almost a silent film for the first half and in so doing gives us an animated cinematic experience the likes of Chaplin, Keaton and Jacques Tati would have loved. The achievement of keeping an audience glued to the screen watching incommunicative non-humans who learn to communicate and care for each other is no easy thing. Stanton creates beautiful visuals and a well-crafted story to go with them. This is one from the heart.
Hollywood.com rated this film 4 stars.-Pete Hammond